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Veneti, Anastasia
Maria Rovisco is Associate Professor in Sociology at the School at the School of Sociology and Social Policy at the University of Leeds, UK. She was previously a Lecturer in Media and Communication at the University of Leicester. She has research interests in cosmopolitanism, new activisms, citizenship, migrant and refugee arts, and visual culture. Among her books are the co-edited volumes: Taking the Square: Mediated Dissent and Occupations of Public Space (Rowman and Littlefield, 2016), Cosmopolitanism, Religion and the Public Sphere (Routledge, 2014), The Ashgate Research Companion to Cosmopolitanism (Routledge, 2017). Twitter handle: @mariarovisco
![Visual Politics in the Global South</a>](/cover/9783031227844/visual-politics-the-global-south.webp)
Visual Politics in the Global South
The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument).
![Visual Politics in the Global South</a>](/cover/9783031227813/visual-politics-the-global-south.webp)
Visual Politics in the Global South
The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument).
![Visual Politics in the Global South</a>](/cover/9783031227820/visual-politics-the-global-south.webp)
Visual Politics in the Global South
The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument).