Studies in English Literary and Cultural History (ELCH) /Studien zur Englischen Literatur- und Kulturwissenschaft (ELK)

Since the beginning of the 20th century, formalism has had a venerable tradition in literary studies. A notable upsweep of interest in, proposed approaches to, and scholarly debates about form and new formalist methods in the study of literature and culture has been evident in recent years. New formalist perspectives offer intriguing analytical possibilities that move beyond focusing solely on the formal features of texts to also consider contextual relations. This volume explores the horizons and heuristic potential opened up by new formalisms of the 21st century that focus on the cultural work of form. It aims to put the conceptual and analytical potentials offered by new formalist approaches on display as well as under scrutiny. Its articles present critical new-formalist examinations of early modern, Victorian, modern and contemporary Anglo-American literature as well as a television series, films, and a graphic novel. With these case-study analyses, the volume demonstrates the wide-ranging applicability of a renewed and growing field in the study of literary and culture.


CONTENTS


Preface and Acknowledgements .................................................................................. vii

ELIZABETH KOVACH, IMKE POLLAND AND ANSGAR NÜNNING
Introduction: Towards a New Formalism?
Conceptual and Theoretical Explorations ..................................................................... 1

I. THE CULTURAL WORK OF FORMS IN ANGLO-AMERICAN LITERATURE
FROM THE EARLY MODERN TO THE VICTORIAN PERIOD

KATHRIN BETHKE
Love’s Accountants: Double-Entry Bookkeeping
and the Sonnet Form in Early Modern England ......................................................... 25

CHRISTINE SCHWANECKE
Worlds of Sighs, Stories, and Music: The Cultural Work
of Alter-Generic and Intermedial Forms in Jacobean Tragedy ................................... 41

SIJIE WANG
Conflictive Forms, Reformative Conflicts:
The Inversion of Hierarchies in Aphra Behn’s Oroonoko .......................................... 55

ALEXANDER SCHERR
The Fragment at Work: Thomas Carlyle’s Novel Sartor Resartus (1834)
as Implicit Theory of Form and Model for Cultural Change ...................................... 71

II. THE CULTURAL WORK OF FORMS
IN MODERN AND CONTEMPORARY LITERATURE

WOLFGANG HALLET
The Cultural and Social Power of Semiotic Forms in the Novel ................................ 87

ALENA HEINRITZ
Forms of Work as Work of Form: The Poetics of Work and Labor
in Texts by Tret’yakov, Platonov, and Shalamov ..................................................... 105

MAREIKE GLIER
The Journals of Jim Elliot (1948–1955):
Affordances and Constraints of the Modern Spiritual Diary .................................... 121

DANIELA HENKE
‘Unreadable’ Texts. An Analysis towards the Ethics of Form
on the Basis of Holocaust Fictions by Thomas Lehr and Thomas Harlan ................ 133

MICHAELA BECK
From Plural to Impersonal: We-Narration
and Neoliberal Paradigms of Feeling in Contemporary U.S. Novels ....................... 151

KATRIN BECKER
Intersections of Class and Narrative Discourse:
Forms at Work in Zadie Smith’s NW ........................................................................ 167

ALEXANDRA EFFE
Forms at Work in Testimony: A Cognitive New Formalist Approach ..................... 185

III. THE CULTURAL WORK OF FORMS IN CONTEMPORARY MEDIA
JULIA VAEßEN
Cultural Models, Character Reception, and the Relevance of Form ......................... 205

REGINA LEONIE SCHMIDT
The Either-Or Decision – Illustrating Binary Forms at Work
by Means of the Patient’s Dilemma in Grey’s Anatomy (2005–) ............................. 223

EWELINA PEPIAK
Why Can’t We All Just Get Along?
Métissage and Whiteness in French Multicultural Comedy ..................................... 239

MAX BERGMANN
From Database Cinema to YouTube Aesthetics:
Digital Network Structures and Filmic Form ........................................................... 257

SARAH J. LINK
“The Camera Never Lies”: Form and Objectivity
in Warren Ellis and Ben Templesmith’s Fell: Feral City ......................................... 273

JULIA CAROLINE BÖCKLING
“Privacy Is Theft”: The Form of the List
in Depicting Social Media Engagement in Dave Eggers’ The Circle ........................ 291

Notes on Contributors ............................................................................................... 305

Speculative India analyses the trans-generic mode of the speculative in Indian Anglophone literature and popular culture to dialogize established genre taxonomies with concepts of literary realism and postcolonial theory. The works analysed in this study transgress generic boundaries and combine various themes, aesthetics and techniques to centre previously marginalized worldviews, sometimes expressing perceptions that surpass the knowable and scientifically verifiable. To make sense of the liminality of works situated between the seemingly diametrically opposed extremes of realism and anti-realist fiction, this study introduces the concept of para-realism with its three formal strategies of estrangement, extrapolation and augmentation. Estrangement serves as a framework to discuss how recent speculative fiction engages with the gender dynamics of the vast Ramayana tradition. Extrapolation, in turn, is discernible in Manjula Padmanabhan’s play Harvest, Priya Sarukkai Chabria’s novel Generation 14 and Vandana Singh’s short story “Delhi” which envision the (posthuman) future by looking back on Indian history and hence repeatedly unsettle linear concepts of time. This ties in with the concept of augmentation as a form of enhancement, which is central to the negotiation of the chances and pitfalls of both nationalism and globalization in Rakesh Roshan’s film Koi... Mil Gaya, its two Krrish sequels as well as in two of Samit Basu’s superhero novels. In its use of para-realism, the speculative not only reveals its rootedness in extratextual epistemologies and ontologies but also turns into a worlding project that draws attention to the diverse experiences of being in the world.


CONTENTS

I. INTRODUCTION SPECULATIVE INDIA .................................................................. 1
Coming to Terms: Indian Anglophone Speculative Fiction .................................. 2
Creating Para-Realism: Estrangement, Extrapolation and Augmentation .......... 10

II. THE HISTORY AND POLITICS OF SPECULATIVE FICTION ................................ 17
Speculative Fiction as ‘Soft’ Science Fiction ..................................................... 18
Delineating a Postcolonial Counter-Discourse.................................................... 20
Speculative Fiction and the Fantastic .................................................................. 24
Debating (Im-)Possibility .................................................................................... 27
The Formation of Para-Realism .......................................................................... 28

III. FAMILIARIZATION AND ESTRANGEMENT IN CONTEMPORARY RAMAYANAS ... 34
Estranging the Familiar, Familiarizing the Strange ............................................. 34
The Ramayana Tradition: Contexts and Contestations ....................................... 37
Sita in Speculative Fiction .................................................................................. 46

3.1 Vedic Ideals in Future Contexts: The Ramayan 3392 A.D. Comics ................... 48
Familiar Characters in an Estranged World ........................................................ 49
Disciplining Seeta ............................................................................................... 54
‘Being Sita’ in the Future .................................................................................... 59

3.2 Finding Sita in Samhita Arni’s The Missing Queen ............................................ 61
Speculative Fiction and Formal Estrangement .................................................... 62
The Unknowable Sita .......................................................................................... 65
From Itihasa to Historiographic Metafiction ...................................................... 70

3.3 From Ramayana to Sitayana: Swapna Kishore’s “Regressions” ........................ 73
Becoming Sita ..................................................................................................... 74
A Women’s Ramayana ....................................................................................... 80
Storytelling as Empowerment ............................................................................. 83

IV. EXTRAPOLATION AND THE SPECULATIVE: IMAGINING THE FUTURE INDIA ... 85
Theorizing Extrapolation .................................................................................... 85
The Roots of the Future ...................................................................................... 90
Extrapolation in Speculative Fiction ................................................................... 96

4.1 The Posthuman Future in Manjula Padmanabhan’s Harvest .............................. 97
Extrapolation and the Future’s Past .................................................................. 100
“That’s a special bond”: Organ Trafficking and (Dis-)Empowerment ............. 103
Becoming Posthuman ....................................................................................... 107
Reclaiming Agency ........................................................................................... 115
Extrapolation and Para-Realism ........................................................................ 119

4.2 Reframing the Roots of the Future in
Priya Sarukkai Chabria’s Generation 14 .......................................................... 120
History from Below .......................................................................................... 123
Collapsing Time: The Future is the Past is the Future ...................................... 129
Seeking Empowerment in the Past .................................................................... 134
The Prospects of Tomorrow .............................................................................. 138

4.3 Spacetime: Multiple Temporalities in Vandana Singh’s “Delhi” ..................... 139
Looking Beyond the Present ............................................................................. 141
The Past is Still Happening ............................................................................... 145
“A History of the Future” .................................................................................. 149
Extrapolating Delhi ........................................................................................... 153

V. SPECULATIVE FICTION, AUGMENTATION AND THE NATION ......................... 155
Augmentation and Para-Realism ....................................................................... 155
Superpowered World Scenarios ........................................................................ 157
Truth and Justic beyond the American Way:
Superheroes in Indian Popular Culture ............................................................. 161
Augmented Bodies and the Nation ................................................................... 163

5.1 Of Aliens and Gods: Nationalism, Vedic Science and
Religious Para-Realism in Rakesh Roshan’s Superhero Universe .................... 168
Vedic Science in Koi… Mil Gaya ..................................................................... 171
Koi… Mil Gaya and Religious Nationalism ..................................................... 175
Healing the Hero ............................................................................................... 179
Provisional Diasporas and the Return ‘Home’ Narrative .................................. 183
Healing the Nation ............................................................................................ 188
Imagining the Krrish Nation ............................................................................. 192

5.2 Contested World Orders and Global Heroes
in Samit Basu’s Turbulence and Resistance ..................................................... 193
Postnational Ideoscapes and the Turn Towards the Global ............................... 195
Global Flows of Superpowers and (Post-)Empire Geographies ........................ 202
The Superpowered Elite: Negotiating the Boundaries of the Human ............... 210

VI. EYES OF TIME: ENVISIONING THE PAST, PRESENT
AND FUTURE OF INDIAN ANGLOPHONE SPECULATIVE FICTION ................... 220
Estranging the Ramayana: Sita Refusing to be Sita .......................................... 223
Extrapolating a Future with a Past .................................................................... 226
Augmented (Super-)Humans and the Nation .................................................... 229
From Indian Anglophone Speculative Fiction
towards World/ing Speculative Fiction? ........................................................... 233

WORKS CITED .......................................................................................................... 237