Sociology of the Arts

This book analyses issues related to the political use and economical misappropriation of urban cultural events, cultural infrastructures, public resources, and cultural traditions in the city of Valencia, Spain. It deals critically with a variety of sociological questions related to cultural production in the city, including geographical segregation as culturally defined in the city; misogyny and the peripheral role of women in traditional cultural events, xenophobia; and nationalism/regionalism.

As such, the book will be useful to students and scholars of sociology of the arts, cultural policy, and museum management, and urban sociology. 

This book provides a thorough interdisciplinary analysis of the ways in which artists have engaged with political and feminist grassroots movements to characterise a new direction in the production of feminist art. The authors conceptualise feminist art in Turkey through the lens of feminist philosophy by offering a historical analysis of how feminism and art interacts, analysing emerging feminist artwork and exploring the ways in which feminist art as a form opens alternative political spaces of social collectivities and dissent, to address epistemic injustices. The book also explores how the global art and feminist movements (particularly in Europe) have manifested themselves in the art scenery of Turkey and argues that feminist art has transformed into a form of political and protest art which challenges the hegemonic masculinity dominating the aesthetic debates and political sphere. It is an invaluable reading for students and scholars of sociology of art, gender studies and political sociology.

This book analyzes social research and genres of comics from cross-cultural perspectives. It disentangles the impact of comics in understanding social, cultural and political issues and considers the challenges they may raise from an ethical point of view. In nine case studies focused on topics such as migration, science and technology innovation, urban sociology and criminology, the book aims to answer the following questions: How can the comic medium help understand research’s narratives? To what extent can comics can be incorporated within traditional social research steps? What body of knowledge is being created by research-based comics? How can they represent social class without eliminating it or reproducing its stereotypes and how they deconstruct, without removing the “color line” the cultural difference or the naturalization of gender corporality? What are the barriers (theoretical and methodological) that researchers might encounter using comics to communicate sensitive topics? What are the main ethical considerations researchers must consider? While, at first glance, comics-based research seems to be tied mostly to Sociology, Anthropology and Geography, it also is relevant to a host of other disciplines including cultural studies, feminist studies, environmental studies, disability studies, science and technology studies, critical race studies, queer studies and animal studies. This book will also facilitate international and interdisciplinary collaboration among researchers with an interest in exploring the utility and limitations of the graphic medium.