Er tötete neun Frauen. Neun, von denen wir wissen ...Serienmörder Edward sitzt seit 27 Jahren im Gefängnis - und ist nun bereit, auch jene Morde zu gestehen, die ihm nie nachgewiesen werden konnten. Aber er besteht darauf, nur mit seiner Ex-Frau Maggie zu sprechen.
Er tötete neun Frauen. Neun, von denen wir wissen ...Serienmörder Edward sitzt seit 27 Jahren im Gefängnis - und ist nun bereit, auch jene Morde zu gestehen, die ihm nie nachgewiesen werden konnten. Aber er besteht darauf, nur mit seiner Ex-Frau Maggie zu sprechen.
This book studies the works of Ann Rule, aiming to shed light on her literary career as a largely uncelebrated True Crime writer, in addition to works by other lesser-known female True Crime writers including Alia Trabucco Zerán, Katherine Ellison and Caitlin Rother.
This book studies the works of Ann Rule, aiming to shed light on her literary career as a largely uncelebrated True Crime writer, in addition to works by other lesser-known female True Crime writers including Alia Trabucco Zerán, Katherine Ellison and Caitlin Rother.
This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed.
This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed.
This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed.