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Michael Berry

Michael Berry is Professor of Contemporary Chinese Cultural Studies and Director of the Center for Chinese Studies at UCLA, USA. He is the author of Speaking in Images: Interviews with Contemporary Chinese Filmmakers (2006), A History of Pain: Trauma in Modern Chinese Literature and Film (2008), Jia Zhangke’s Hometown Trilogy (Palgrave Macmillan, 2009), Boiling the Sea: Hou Hsiao-hsien’s Memories of Shadows and Light (2014), and Jia Zhangke on Jia Zhangke (2022); the editor of The Musha Incident: A Reader on the Indigenous Uprising in Colonial Taiwan (2022) and co-editor of Divided Lenses (2016) and Modernism Revisited (2016).   

Translation, Disinformation, and Wuhan Diary

Translation, Disinformation, and Wuhan Diary

During the early days of the COVID-19 health crisis, Fang Fang’s Wuhan Diary provided an important portal for people around the world to understand the outbreak, local response, and how the novel coronavirus was impacting everyday people. But when news of the international publication of Wuhan Diary appeared online in early April of 2020, Fang Fang’s writings became the target of a series of online attacks by “Chinese ultra-nationalists.

Translation, Disinformation, and Wuhan Diary

Translation, Disinformation, and Wuhan Diary

During the early days of the COVID-19 health crisis, Fang Fang’s Wuhan Diary provided an important portal for people around the world to understand the outbreak, local response, and how the novel coronavirus was impacting everyday people. But when news of the international publication of Wuhan Diary appeared online in early April of 2020, Fang Fang’s writings became the target of a series of online attacks by “Chinese ultra-nationalists.