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James E. Caron

James E. Caron is Professor Emeritus, University of Hawaiʽi at Mānoa. In addition to publishing many articles on comic writers and comic artifacts, he has authored Satire as the Comic Public Sphere: Postmodern “Truthiness” and Civic Engagement (2021), and Mark Twain, Unsanctified Newspaper Reporter (2008), as well as co-edited essays on Charlie Chaplin in Refocusing Chaplin: A Screen Icon in Critical Contexts (2013).
The Modern Feminine in the Medusa Satire of Fanny Fern

The Modern Feminine in the Medusa Satire of Fanny Fern

The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.

The Modern Feminine in the Medusa Satire of Fanny Fern

The Modern Feminine in the Medusa Satire of Fanny Fern

The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.

The Modern Feminine in the Medusa Satire of Fanny Fern

The Modern Feminine in the Medusa Satire of Fanny Fern

The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.