- Publikationen ca: 3
- Fragen & Antworten
Hala Ghoname
Muḥammad ʿAlī’s Soft Power in Europe
The profusion of literature on Muḥammad ʿAlī's Egypt (1805–1849) makes the Bāshā’s epoch significantly well-documented; however, one facet is perceptibly brushed out or rather overlooked. Published in 1945, Gaston Wiet’s Mohammed Ali et Les Beaux-Arts has been the only book deliberating the visual and artistic aspects of Muḥammad ʿAlī’s reign, and while it offers an extended survey of the Ottoman governor’s iconography and visual relics, the book wants the rudiments of critical analysis.
Muḥammad ʿAlī’s Soft Power in Europe
The profusion of literature on Muḥammad ʿAlī's Egypt (1805–1849) makes the Bāshā’s epoch significantly well-documented; however, one facet is perceptibly brushed out or rather overlooked. Published in 1945, Gaston Wiet’s Mohammed Ali et Les Beaux-Arts has been the only book deliberating the visual and artistic aspects of Muḥammad ʿAlī’s reign, and while it offers an extended survey of the Ottoman governor’s iconography and visual relics, the book wants the rudiments of critical analysis.
Muḥammad ʿAlī’s Soft Power in Europe
The profusion of literature on Muḥammad ʿAlī's Egypt (1805–1849) makes the Bāshā’s epoch significantly well-documented; however, one facet is perceptibly brushed out or rather overlooked. Published in 1945, Gaston Wiet’s Mohammed Ali et Les Beaux-Arts has been the only book deliberating the visual and artistic aspects of Muḥammad ʿAlī’s reign, and while it offers an extended survey of the Ottoman governor’s iconography and visual relics, the book wants the rudiments of critical analysis.