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Michael Ufer
Michael Ufer, Kolleg-Forschungsgruppe Cinepoetics/Filmuniversität Babelsberg KONRAD WOLF, Berlin/Potsdam.
Zeitformen der Liebe
Portrayals of love are everywhere in films and series. However, this apparent ubiquity is accompanied by a lack of understanding for the interconnection between love, its portrayal, and the medium of the moving picture. In contrast, this book presents a poetological theory and analysis of the time-forming connections between production processes – in order to ultimately provide an insight into the contemporary intimacies of the moving picture.
Zeitformen der Liebe
Woher etwas über die Liebe lernen, wenn nicht aus Geschichten? Ganz ohne die Darstellungen des Ver- und Entliebens, der Sehn- und Eifersucht, des Lust- und Schmerzvollen wird sich die intime Liebe jedenfalls kaum denken lassen. Dem entspricht, nicht erst heute, dass filmische und serielle Darstellungen der Liebe allgegenwärtig sind.
Zeitformen der Liebe
Portrayals of love are everywhere in films and series. However, this apparent ubiquity is accompanied by a lack of understanding for the interconnection between love, its portrayal, and the medium of the moving picture. In contrast, this book presents a poetological theory and analysis of the time-forming connections between production processes – in order to ultimately provide an insight into the contemporary intimacies of the moving picture.