This book looks at various effects, symptoms and consequences of the period in Irish culture known as the Celtic Tiger. It will trace the critical pathway from boom to bust – and up to the current beginnings of a similar, smaller boom – through events, personalities and products.
«A fascinating, well-paced, beautifully written memoir.»(Professor Sarah Moore Fitzgerald, Author and Director, MA in Creative Writing, University of Limerick, Ireland)«A wonderfully honest, often witty, personal account from someone who experienced discrimination -and challenged it - at every level of academia.
1959 to 1999 was a pivotal time in the Republic of Ireland’s short history. This book’s journey commences in 1959 when the country had just taken its first steps on the road to internationalization. It concludes 40 years later in 1999, by which time Ireland had metamorphosed into one of the most globalized countries in the world.
Following the significant advance of English in Ireland during the 18th century, the restoration of Irish as the vernacular language formed a key part of a broad cultural Revival movement from the late 19th century. Many of those who fought figuratively or literally for independence learned Irish to varying degrees of success or broadly supported the aims of the Revival movement.
This book on the Irish liturgical artist Richard King (1907-74), examines his career in the context of religion, nationalism and modernism. The book focuses on the interdisciplinary relationship between religion and art during pre- and post-Vatican II Ireland.
What role does nature play in the cultural world of the theatre? Is the auditorium not a natural environment, and how can theatre and nature aesthetics co-exist in the productive expression of performance? Re-Place: Irish Theatre Environments proposes a new way of thinking about Irish theatre: one that challenges established boundaries between nature and culture and argues for theatre performances to be seen as conceptual ecological environments.
«Natalie Wynn has written a definitive account of Irish Jewish history in the period of mass migration at the turn of the twentieth century. She unravels the myths—such as accidental arrival from eastern Europe, or untroubled social mobility as a model minority—which have hitherto characterized Irish Jews.
This is the first book to provide a critical assessment of the work of the Irish author Mary O’Donnell. The essays collected here engage with O’Donnell’s writing across multiple genres and explore the themes and preoccupations that have characterized her oeuvre.
The Irish immigrants who arrived in Argentina between 1840 and 1890 were welcomed. Argentina was different from the English-speaking destinations familiar to other Irish emigrees: the historical antagonism between Catholicism and Protestantism was absent, and Irish immigrants were spared the discrimination experienced by those who settled in America.
Ireland’s Great Famine generated Western Europe’s most devastating social crisis of the nineteenth century, a crisis that created enormous and transformational upheaval. In Travel Narratives of the Irish Famine: Politics, Tourism, and Scandal, 1845-1853, author Catherine Nealy Judd proposes that a new literary genre emerged from the crucible of the Great Famine, that is, the Irish Famine travelogue.
This book provides a comprehensive study of educational policy reform as growing calls for further reducing the role of the Catholic Church in Irish primary schools gains traction in a rapidly evolving Irish society. Drawing upon lessons from the same-sex marriage and abortion reform campaigns, this study provides several policy case studies that demonstrate how the interplay of civil society activists and organisations, the media, public opinion, and political parties and elites determines how policy reforms live or die.
In the eighteenth century, Ireland’s elite could choose from a wide range of wines, but their favourite was claret – the red wine of Bordeaux. Whereas Britain’s wine drinkers turned to port in this period, and America’s elite filled their glasses with Madeira, in Ireland, claret flowed in the social world of the privileged classes.
This book aims to redress the critical neglect of Frank McCourt’s life-writing, which has been dismissed all too frequently as «misery memoir» and deemed commercially driven or aesthetically and politically naïve. It reassesses the life cycle of McCourt’s work, investigating the experiences that shaped his desire to write and demonstrating a nuanced and multifaceted network of stimuli and references.
Comedy has been a constant presence in the history of Catalan theatre, but it is rarely recognized as a separate generic identity, worthy of academic study as a whole. This volume is the first concentrated attempt to analyse Catalan theatre under the comic lens, with essays in English and Catalan.
The historiography of Irish theatre has largely been dependent on in-depth studies of the play-text as the definitive primary source. This volume explores the processes of engaging with the documented and undocumented record of Irish theatre and broadens the concept of evidential study of performance through the use of increasingly diverse sources.
Since the publication of James Smith’s groundbreaking book on the Magdalene laundries in 2007, many developments have made the issue even more topical. Even though the lack of access to archives and records of religious orders remains a major obstacle to writing a comprehensive history of the Magdalene laundries, the accessibility of witness testimony and the publication of the McAleese report in 2013 have opened up new avenues of research and methodology.
To mark the fact that the Reimagining Ireland series will soon have one hundred volumes in print, this book brings together a selection of essays from the first fifty volumes, carefully chosen to give a flavour of the diversity and multidisciplinary nature of the series.
Dublin’s slums were once considered the worst in Europe. The city’s tenements were omnipresent and their inhabitants were plagued by poverty. Illuminating the intricate relationship between the «dirty» cityscape and Dublin literature from 1880 to 1920, this seminal book offers new socio-historical, cultural and political insights into one of the most interesting periods of Irish literature and history.
The Picture Postcard, a new window into Edwardian Ireland uses the material culture of the picture postcard as a lens through which to examine life on the island of Ireland during the Edwardian period (1902-10). Picture postcards became extremely popular worldwide at the start of the twentieth century, when literally hundreds of billions of them were produced and sold.
The sesquicentenary of the Great Irish Famine saw the emergence of seminal, often revisionist, scholarship addressing the impact of the catastrophe on Ireland’s economy (including its relations with Britain) and investigating topics such as the suffering of the rural classes, landlord and tenant relations, Poor Laws and relief operations.
Ireland and the North is an edited collection of chapters engaging with the relationship between Ireland and the Nordic countries. As a spatial and geographical point of reference for the formation of political and cultural identities in Ireland, the idea of «the North» encourages the identification of overlooked connections between Ireland and the Nordic countries, which, like Ireland, are also small nation states on the periphery of Europe.
«This dazzling collection of essays draws out the complexity of Ireland’s connections with British imperialism. The volume takes an admirably wide-ranging and generous approach to Irish visual culture, showing how features such as Irish fashion, architecture, and museum display have been affected by empire.
Voices from the Margins explores the particular emphasis that women writers of Troubles short fiction have placed on gender and the everyday, two areas which have often been relegated to the margins of the «official story» about the Northern Irish conflict and peace process.
In both past and modern societies the concepts of memory and identity have been inextricably intertwined. Memory, through its power of recollection and reflection, is perceived as a central and necessary pathway for self-discovery, self-expression, and self-knowledge crucial to an understanding of the physical and spiritual world.
This volume embraces the critical turn of new materialism in order to address how creative and social practices allow for the definition of alternative subject positions and to examine how power relations operate at an embodied, relatable level: it proposes to think global but act local.
«...a seminar worthy of Harvard, Yale or Oxbridge.»DEAGLÁN DE BRÉADÚN, THE IRISH TIMES«Without clear political leadership, the current economic crisis and the challenges of globalization might actually undermine some of the foundations of democracy.
Sedirse Bodley is one of the best-known senior figures of contemporary music in Ireland. This book seeks to examine his engagement with the poetry of Micheal O'Siadhail and the making of these song cycles. It assesses the joint contribution to Irish art song and seeks to understand its roots in and departure from European tradition.
The last two centuries of Irish history have seen great traumas that continue to affect Irish society. Through constructing cultural trauma, Irish society can recognize human pain and its source/s and become receptive to the idea of taking significant and responsible measures to remedy it.
The British context has been a controversial area for those involved in Irish literature and Irish studies. Behind the present volume lies a search for a view from which the frame of the British context as well as the dichotomy between British and Irish literature can be dismantled and disrupted in a most creative sense.
«Beyond the narrow application to the pop-cultural zombie, Simon Bacon’s editorial definition of the concept of being «undead» generates discussions in each chapter that creatively engage with the full agenda of critical debates in studies of horror and the gothic.
The current «decade of centenaries» and commemorations on both sides of the Irish Sea is providing an opportunity both to reflect upon significant events and challenges that the island of Ireland has been confronted with in the past, and also to contemplate and focus on the future.
More than twenty years after the peace agreement signed in Belfast on 10 April 1998, an assessment is overdue, particularly given the current political context in Northern Ireland. A serious political crisis led to the suspension of the regional institutions from January 2017 to January 2020, and the Brexit negotiations did not facilitate the search for a solution, especially as the confidence-and-supply agreement between the British Conservative Party and the DUP prevented London from acting as an honest broker between Sinn Féin and the DUP.
Runner-up in the 2023 N. Katherine Hayles Award for Criticism of Electronic Literature from the Electronic Literature Organization«At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians.
Following the recent advancements in Irish lesbian politics, North and South, lesbian writing is attracting more attention from scholarly audiences, making this body of work particularly timely. Irish Lesbian Writing Across Time is an attestation of a historical presence of lesbians in Irish literature, as it analyses the progression of Irish lesbian narrative over the past two centuries, while verifying key characteristics of time periods that correspond with the model of development.
This edited volume provides an opportunity to take a fresh look at the printed material often regarded as disposable by its contemporaries and, until recently, as unworthy of serious academic research. From the fifteenth century to the twentieth century, this volume not only demonstrates the wide variety of ephemeral publications which have survived to the present day, but also shows how they can be used to interpret history and printing history and culture in particular.
The New Left was a broad, heterogeneous, transnational, anti-systemic movement of movements which pursued the radical transformation of power structures during the 1960s and the early 1970s. Its activists opposed all forms of oppression – class, racial, gender and so forth – and strove for the redistribution of power on a global scale.
In March 1949 the security service MI5 received notice of a suspect person about to enter Britain and went to great pains to keep her under surveillance. This person was the author Doris Lessing. She would eventually go on to win the Nobel Prize for literature as an «epicist … who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny».
This is the untold story of Counteract, the trade union sponsored anti-sectarian unit tackling violent sectarianism in the workplace in the Northern Ireland conflict. As the death toll mounted through the 1980s key union women and men started what was planned as a campaign to support workers and became a ground-breaking facility for mediating sectarian disputes in the workplace in these violent times.
This landmark collection marks the publication of the 100th book in the Reimagining Ireland series. It attempts to provide a «forward look» (as opposed to what Frank O’Connor once referred to as the « backward look») at what Irish Studies might look like in the third millennium.
By the early 2000s, women in Ireland were arguably freer than any past generation to shape their sexual lives amidst the social freedoms of a globalised society. The Salley Gardens presents reflections from seventy-three heterosexual young women on growing up, forming sexual relationships and some becoming mothers in the last years of the «Celtic Tiger».
Evelyn Conlon is one of Ireland’s most important writers. She has published four collections of short stories, My Head is Opening (1987), Taking Scarlet as a Real Colour (1993), Telling: New and Selected Short Stories (2000) and Moving about the Place (2021) and four novels, Stars in the Daytime (1989), A Glassful of Letters (1998) Skin of Dreams (2003) and Not the Same Sky (2013).
«The Irish missionary momentum in the 19th century attests to the vitality of a Christian community whose richness and great diversity this book illustrates, with particular emphasis placed on the considerable effort made in the field of education, a privileged way for human promotion and the proclamation of the Gospel.
The empirical research that has shaped this book was drawn from a combined literature stream comprising political psychology, applied economics, and public management issues such as decentralization, local government finance, local governance, and organization and budget theories.
In spite of recession, austerity and pandemics, Ireland has demonstrated an extraordinary degree of resilience, becoming one of the most successful economies in Europe and developing into a society remarkably at ease with itself. This book argues that the seeds of this achievement were sown between the mid-1950s and 1960s, when a Second Irish Revival took place which was comparable to the earlier Celtic Revival of the late nineteenth and early twentieth century.
Northern Windows/Southern Stars is a valuable, accessible and thought-provoking gathering of essays by the distinguished Irish poet and Professor Emeritus, Gerald Dawe. Re-tracing the issues and questions of poetry and politics in the Ireland of the 1980s and 1990s, the collection provides energetic and unexpected views of one poet’s critical readings, including the work of several overlooked poets of the time.
«Gerald Dawe observes in the concluding lines of Dreaming of Home that the writers he admires most are those who convey a sense of ‹the sheer joy in witnessing the world for its own sake.› Those same words could apply to Dawe himself. His readings of seven writers here – Sean O’Casey, W.
«A significant and astute contribution whose insights across film studies, philosophy, and feminism demonstrate the ongoing relevance of Left Bank filmmakers Varda, Resnais and Marker.»(Steven Ungar, Professor Emeritus, Department of Cinematic Arts, University of Iowa)Engaging with contemporary film-philosophical research, this book investigates the effects of a haunting presence of death in life.
An extraordinary tribute to the visions of Joyce Canaan, a vibrant academic activist who touched so many with her intellect, her acuity, her humanity and her love. Anyone interested in critical pedagogy has to read this inspiring book that takes so many slices on what the university has become and what it still might be.
From the perspective of Irish Studies, this book seeks to interrogate the discourses and processes that produce and reproduce «Ireland’s cultural politics of in/difference», and its effects both in the material experience of Othered subjects and in their representation in cultural and literary forms.
«In a world where environmental challenges, education and activism converge, this is an important addition to the field of art and early childhood education. It identifies a post qualitative research approach and provides an ethical alternative to the difficult and urgent challenges facing future artist educators and researchers in Ireland today.
«Paul Butler’s monograph is a wonderful illustration of how a visual reading of McGahern can reveal previously undiscovered aspects of the writer’s aesthetic approach. ‘The Deep Well of Want’ of the title is an expression that captures the pain and hurt at the core of the life journey of both writer and photographer.
The book deals diachronically with Irish crime fiction, from the picaresque of the 17th century up to the late 1990s when the «Emerald Noir» boom began. Irish writers, often without due recognition, have been instrumental in the development of the genre on an international level, and figures such as Le Fanu, Meade, Childers, Wills Crofts have been responsible for many of the innovations in crime fiction which have later become standard.
«Marjan Shokouhi’s new book attests to the ways in which Irish ecocritical scholarship has developed into more than a simple ‘subfield’ of Irish Studies. Shokouhi takes readers on a fascinating journey through the work of three iconic Irish poets in the modern period – Yeats, Kavanagh and MacNeice – from the burgeoning perspective of Irish ecological criticism, exhibiting the complexities of the Irish Literary Revival in addressing questions of place and identity and opening new avenues of research in relation to new voices and marginal identities.
«Power reconstructs the extraordinary popular agitation that took hold in the Irish countryside in the decade after Waterloo when «Pastorini's prophecies» foretold the imminent collapse of Protestantism. The electrifying effects of this agitation affected both the drive for Catholic Emancipation and the local strength of Protestantism in much of the country.
Neil Jordan is immediately associated with the successful films he has directed (The Crying Game, Interview with the Vampire, Michael Collins...). And yet, he is also a man of letters. His literary work, composed of eight novels and a collection of short stories, is rich, dense and complex.
«Übersetzung und Einleitung erschließen den außerordentlichen Lebensbericht Olaudah Equianos klar und einfühlsam; gerade durch die Positionierung in den religiösen und politischen Bewegungen des 18. Jahrhunderts wird die Relevanz für das 21. Jahrhundert sichtbar.
«An important contribution to understanding our culinary journey in Ireland from a time when food was regarded merely as sustenance. As a nation, we have grown in confidence. Up to relatively recently in Ireland, we had a serious inferiority complex and not just about our food and food culture.
This book is about the assessment of people in the workplace and examines what assessment is and the various forms it takes and how these principles and practices can be applied to improve job satisfaction, productivity and the fairness with which organisational objectives are achieved.
The purpose of the book is to explore and explicate the origins, evolution and mobilisation of anti-war activism in Ireland from the 1950s. The author applies postcolonial critical perspectives alongside social movement theory to define the multifaceted Irish approach to different international conflicts from the creation of the Irish Campaign for Nuclear Disarmament (1958) to the current war in Ukraine.
